Note the word stronger is disorientating (fuzzy multiple images, like it's being spun)
Jumping straight back into the video that followed Lucky; 'Stronger' [another MM creation; as the majority have been so far], I've included the single cover because of the zebra, black/white shirt she wears on it. 'Stronger' is probably a Nietzche reference these programmers are so obsessed with (and thus their victims), as her 'boyfriend' is seen at the start with another woman (she stops time, making them all essentially mannequins [more on that in the latest CSI write-up coming] for a short period). But what is probably most symbolic, is what is absent as the original featured: "during the beginning of the bridge, when Spears sings stronger than yesterday..., she is seen standing on the edge of the back of the silver prop chair as it spins."... now why would they cut that spinning scene I wonder. The silver/metallic chair is an Emeco 1006 chair apparently, designed specifically for the Navy [built in occult ritualistic fashion with 77 specific steps; built as part of the blood-sacrifice ritual en-masse called World War 2 (W23 M13 as I've said in the past; one of many reasons why they're so obsessed with it)], this type of chair also featured in Janet Jackson's videos according to wiki. Joseph Kahn, directed this video (I don't think he's a handler, those he's obviously 'handled' many MK victims in the hundreds of them he has directed) and has the "famous chair" in his house which he showed off to Cribs; he is set to make Neuromancer into a movie...
LUCKY (see further down) being electroshocked.
Lightning flashes constantly (electroshock) as she drives towards the bridge (more half face illumination; she looks pretty tranced here). Note reflection that is focused on below (clearer reflection, but I wanted to cap the lightning at same time), the camera encircles the mirror (vertically), finishing on her reflection again.
The chair transforms into a phallic cane, with her legs spread naturally. Which she slams on the ground, then the below thing occurs.
Stargate? (the circle rotates like the stargate machine in First Contact) I'm sure Britney has taken plenty of trips to 'Kosmic Konsciousness' lmao [note twin yellow lines she walks on symbolizing the yellow brick road, and the bridge it is on serves various symbolic purposes (bridging the personalities required in healing; and the lack-there-of in MK victims. Bridges can symbolize change ((in this case her various alter-personalities)), and stability ((of the system)))].
The bridge can also represent the phallus, "which 'bridges the gap' between male and female sexual 'partners'". Quote from this good link with more on bridge symbolism.
Click below image to see the license plate LUCKY (the Marilyn Monroesque/Judy Garland alter from the Lucky video obviously), there are clearer frames but this was the clearest one I could cap. The video is well worth watching.
More Britney (up a tree as a cat) as the Sun symbolism (sun worship/ritual sun goddess like many other stars).
This video was then followed by 'Don't Let Me Be the Last to Know', the video basically soft-core porn showing her doing erotic poses and such (up a tree, like a cat) so there isn't much to show here. That's not to say it isn't very significant, because it is; the 'boyfriend' (symbolic handler) has an extremely distinctive tattoo that is prominently displayed in the frame throughout most of the video showing it's significance. The tattoo (used to mark property; he is a mind controlled French supermodel/MCM so this type of branding is expected) is of a generic horned head (simplified; the head part is just a simple shape), symbolizing 'Satan', Baphomet etc.
Quick interlude, split mind symbolism (note the reflection in the eye too) on the second book that 'Britney wrote with her mom' called 'a mother's gift' (they wrote another one a year before that called Heart to Heart) around the time that these videos were being produced (2000-2001). The story is about a girl with nothing, from a small town who makes it big, this is fiction of course, but it cements the delusion that this is what actually happened to Britney (rather than the true horrors of what really happened in her rise).
The next video is of course VERY interesting; the song itself 'I'm a Slave 4 U', as previously mentioned was created by The Neptunes, originally for Janet Jackson. Another slave, but she apparently turned it down (probably not what happened) due to it's raunchy nature and whatnot. Obviously the song refers to her enslavement (through trauma-based mind control; the lyrics directed at her handler as usual), here are the lyrics which I won't analyze because they're just so damn obvious in it's underage suggestiveness ("I know I may be young" etc) and her controlled existence. The video is set in a run-down futuristic city (apparently in Asia), in some kind of sauna where MK victims hypnotically amble around for no apparent reason; this was choreographed by the Oztralian dancer Wade Robson [programmed in the womb with Michael Jackson's Thriller ;p].
Something about this video always intrigued me; growing up as an over-stimulated teenager I always looked forward to Britney, Mariah, Christina etc.'s new videos (and not for the music). Since then though I obviously know my years of ogling these 'illuminati goddesses/slaves' probably wasn't very healthy from what I've learned over the last few years.
More Britney the Sun Goddess. Note dilapidated city (the future).
Naturally it features a bevvy of mind controlled models/actors (ask any model in LA or wherever what they do and it's usually "model stroke actress") dressed in symbolic clothing and whatnot. These spaced-out models are apparently stuck in this sauna type thing (you can imagine how these types of places, steam-rooms in particular can be used in trauma programming) with no water. Note the male model's checkerboard shoes.
These models continue to walk aimlessly, in a trance (when they're not writhing around together, panting and moaning in an erotic trance) throughout the video. The narrow corridor they walk through is extremely fractured (in terms of the walls/ceiling, note the light).
She continues walking through this corridor, before arriving at a room where the models are hypnotically dancing away, which she naturally joins in with them [dancing alter, symbolized by change of clothes + pink crotch...].
Grid pattern, the bottles (eminating light; Britney in darkness) probably symbolizing where the alters are housed in the internal system [on paper portrayed as the grid; the grid here is 6x9 [13x13 is the standard] (6/9 number rotation/spin; 6x9=54, 5+4=9)].
A few mirror scenes are present of course.
The DJ is also MK'd as he is marked by a red rose tattoo (he is also probably handling the MCMs currently dancing).
Britney's infamous erotic panting scenes.
The MCMs are so dissociated that they even give eachother their sweat to drink at one point (more sexual allusions; sharing body fluids); note the subtle dolls head to the right, I think it's the model's cufflink or something.
Something about this video always intrigued me; growing up as an over-stimulated teenager I always looked forward to Britney, Mariah, Christina etc.'s new videos (and not for the music). Since then though I obviously know my years of ogling these 'illuminati goddesses/slaves' probably wasn't very healthy from what I've learned over the last few years.
More Britney the Sun Goddess. Note dilapidated city (the future).
Naturally it features a bevvy of mind controlled models/actors (ask any model in LA or wherever what they do and it's usually "model stroke actress") dressed in symbolic clothing and whatnot. These spaced-out models are apparently stuck in this sauna type thing (you can imagine how these types of places, steam-rooms in particular can be used in trauma programming) with no water. Note the male model's checkerboard shoes.
These models continue to walk aimlessly, in a trance (when they're not writhing around together, panting and moaning in an erotic trance) throughout the video. The narrow corridor they walk through is extremely fractured (in terms of the walls/ceiling, note the light).
She continues walking through this corridor, before arriving at a room where the models are hypnotically dancing away, which she naturally joins in with them [dancing alter, symbolized by change of clothes + pink crotch...].
Grid pattern, the bottles (eminating light; Britney in darkness) probably symbolizing where the alters are housed in the internal system [on paper portrayed as the grid; the grid here is 6x9 [13x13 is the standard] (6/9 number rotation/spin; 6x9=54, 5+4=9)].
A few mirror scenes are present of course.
The DJ is also MK'd as he is marked by a red rose tattoo (he is also probably handling the MCMs currently dancing).
Britney's infamous erotic panting scenes.
The MCMs are so dissociated that they even give eachother their sweat to drink at one point (more sexual allusions; sharing body fluids); note the subtle dolls head to the right, I think it's the model's cufflink or something.
There's more to that video and I'm sure my analysis has missed things out (they use a lighter on a smoke-detector and this results in it raining outside..., BS is picked up [all the hands touching her all over] by the MCMs in crowd-surfing fashion. Worth watching. Her next video came in 2002, for the song 'Overprotected' (images from end of Part 1), another MM Max Martin creation (Rami is usually also involved with MM's Britney songs). Again the lyrics are suggestive of her MK, humorously understating her controlled existence: "I can't help the way I feel, But my life has been so overprotected." 'Protected' is obviously not the right word, overall it's about her accepting who she really is or something like that.
The very first scene is her opening the blue door, to the awaiting frenzied paparazzi; the singular of paparazzi is paparazzo [OZ] which I do not view as coincidence at all, they serve a specific purpose in the global Mind Kontrolled celebrity circuit.
Below is what it looks like on the inside, it says STAGE DOOR, but it isn't (just looks like a regular Freemasonic checkerboard floor in a corridor; the blue is more freemasonry [more blue later]). She then drives to one of those big stage warehouse things [a la Inland Empire where these are used (obviously as they are each essentially individual fantasy worlds in each warehouse used for different programming scripts and many other ways; many actors you see in movies who give memorable performances are likely MK'd, performing in post-hypnotic trances; sometimes the emotions look so real because they absolutely are, with the actor truly experiencing what we're watching on the screen) on the Hollywood slave played by Laura Dern]
So she drives from one stage door, to another one of those sound-stage Hollywood warehouse things; it is apparently #33 (with 34 opposite pictured and the guy in the 33 t-shirt below is shown on the roof of it when she first enters the warehouse), this is all an extremely conscious use of Freemasonic symbolism.
The actual song starts just as she enters the warehouse as she talks: "I need space... I need time... I need me..." hypnotic 'time and space' type phrase pulling the viewer into the right suggestible brain-state.
She sits on various psychiatrist type chairs, wearing sunglasses (can't see clearly; you [your eyes] are in the dark) and these are zoomed in on.
Note 33, l-k-m.
Note the box/chest with the number 17 [both 17 and 33 feature... hmm] written on it (look closely, bottom left of it). Boxes created in the internal system; in Illuminati Formula it is specifically noted that cedar (remember 'cedar springs' from her Broken Heart video?) chests are used in programming children.
Another psychiatry type chair, note the blue light bulb and the numerology ([2 out of shot]13, 214=7)
One of them is a LIZARD ^&^.
She sits on the horse from a carousel in the warehouse. Carousels are a big MK theme (internal system, spinning etc); go into it here. Check out all the MK'd Hollywood stars at the Carousel of Hope and the Jonas Brothers at it.
And here we have the room symbolising the confused state she exists in; as the walls close in on her (above) and open up (below), all the images of herself symbolizing the multiple personalities of Britney. Obviously the checkerboard floor (notice that here it is a diamond checkerboard floor and in the blue STAGE DOOR corridor it is a straight one) showing who is responsible for the media (who controls it?) circus (hence the headlines/titles 'double platinum', 'Britney Mania!' etc) that spirals around her constantly.
Below is what it looks like on the inside, it says STAGE DOOR, but it isn't (just looks like a regular Freemasonic checkerboard floor in a corridor; the blue is more freemasonry [more blue later]). She then drives to one of those big stage warehouse things [a la Inland Empire where these are used (obviously as they are each essentially individual fantasy worlds in each warehouse used for different programming scripts and many other ways; many actors you see in movies who give memorable performances are likely MK'd, performing in post-hypnotic trances; sometimes the emotions look so real because they absolutely are, with the actor truly experiencing what we're watching on the screen) on the Hollywood slave played by Laura Dern]
So she drives from one stage door, to another one of those sound-stage Hollywood warehouse things; it is apparently #33 (with 34 opposite pictured and the guy in the 33 t-shirt below is shown on the roof of it when she first enters the warehouse), this is all an extremely conscious use of Freemasonic symbolism.
The actual song starts just as she enters the warehouse as she talks: "I need space... I need time... I need me..." hypnotic 'time and space' type phrase pulling the viewer into the right suggestible brain-state.
She sits on various psychiatrist type chairs, wearing sunglasses (can't see clearly; you [your eyes] are in the dark) and these are zoomed in on.
Note 33, l-k-m.
Note the box/chest with the number 17 [both 17 and 33 feature... hmm] written on it (look closely, bottom left of it). Boxes created in the internal system; in Illuminati Formula it is specifically noted that cedar (remember 'cedar springs' from her Broken Heart video?) chests are used in programming children.
Another psychiatry type chair, note the blue light bulb and the numerology ([2 out of shot]13, 214=7)
One of them is a LIZARD ^&^.
She sits on the horse from a carousel in the warehouse. Carousels are a big MK theme (internal system, spinning etc); go into it here. Check out all the MK'd Hollywood stars at the Carousel of Hope and the Jonas Brothers at it.
And here we have the room symbolising the confused state she exists in; as the walls close in on her (above) and open up (below), all the images of herself symbolizing the multiple personalities of Britney. Obviously the checkerboard floor (notice that here it is a diamond checkerboard floor and in the blue STAGE DOOR corridor it is a straight one) showing who is responsible for the media (who controls it?) circus (hence the headlines/titles 'double platinum', 'Britney Mania!' etc) that spirals around her constantly.
I'm skipping the next few videos (Darkchild remix of above song, and 'I'm Not a Girl, Not Yet a Woman'), not that there isn't anything in them but I need to skip some or else I'll never finish. These songs came out around the time of the release of her movie Crossroads, a few years later she would spend time in Eric Clapton Crossroads Centre in Antigua for "rehab" [Freeman goes into this somewhat here]. I'd like to write-up that movie at some point but here is the DVD cover; it is about three girls from Georgia (go into that bible-belt area a bit in this post) called Lucy (Britney Spears), Mimi (Taryn Manning), and Kit (Zoë Saldaña) who try to make it big in the music industry (Mimi was raped). Note Mimi's butterfly... remember she was raped [must do that Mariah Carey/Mimi post at some point].
Continuing this break from the videos, remember Mimi was raped and she has a butterfly on her green top; here's an extract from Illuminati Formula that might shed some light on why this is the case:
And I'd like to finish this part (come back with the third and final part in a few days), by pasting what transpired at her tour around this period (2001-2002), the Dream within a Dream tour. This could not be more blatant in what it is really about, it even has Angelina Jolie's father (who I mentioned in that link) Jon Voight [how Fing random is that?! this guy is surely a pedophile :S]: "telling a bed time story to his young daughter about a magical ballerina who lived in a music box. Britney rose through a giant box in the middle of stage, dressed as a ballerina. She tore off her tutu and donned a bathrobe to perform "Lucky" and "Sometimes"."... That isn't even the worst of it though as: "The stage set for the tour was a unique key-shaped structure...The show began with a woman, dressed in a white nightgown, running across the stage with a lantern. A video of sleeping Britney appeared. Trapped in a bubble, she awoke [the bubble goes into Britney's eye]. She declared that she was "trapped in a dream within a dream" before being sucked into a sea of flames"
You can see the intro sequence above; the scarey gold fairy says, "Have you ever had a dream that felt so real, that you could no longer between the real world and the dream world?.... Which world are you in now?"....
And here's the Jon Voight bedtime story scene + ballerina music box (I'd shown this type of ballerina music box in my General's Daughter post and a bit on ballerinas here and elsewhere), it all feels very sad (listen to "her" lyrics; almost brings me to tears actually, poor girl; and the one who sits on Jon Voight's knee with [I think] butterflies on her pyjamas :'(). Back with final Part 3 in a few, comments with more enlighted analysis of the imagery are welcomed. Like last time, here's a couple of preview images from Part 3.
One of the "appropriate" tortures is to place a bar between a little girl’s legs, which spreads the girl’s loins for rape. Then the bent spread legs are flapped, while the victim is specifically told she is a "Monarch butterfly". Many victims have created butterflies in their minds while being raped. The programmers may tell some of their victims that out of caterpillar-worms come beautiful butterflies. While raping the child, the Programmers will describe their sperm fluid as "honey comb", and will cry out "hallelujah" when they come. It doesn’t take long for the child to realize it has no ability to resist what is being done to it. The will of the child victim is destroyed, and in its place remains a pliable slave.Now obviously the natural response from the masses would be to recoil in horror at the very thought of this kind of thing occurring; never mind being commonly practised by programmers around the world. No, this is all just obviously in our sick little perversely paranoid minds [/sarcasm, but undoubtedly the attitude to all this stuff from a brainwashed sheeple]. Speaking of butterflies, like Paris she also has a butterfly tattoo except on her left foot, and she has a fairy on her back (below, there aren't really any good images of the butterfly tattoo, feel free to send one my way and I'll add it), a black/white/pink cross, Hebrew for 'strange', a small daisy (gone into in the past) on her right foot and various others [pink dice probably has something to do with access codes to her internal system]. Here's a good link describing her tattoos and one for the images here.
The painful rape of a child with its legs held in a butterfly configuration is used to get butterfly alters.
And I'd like to finish this part (come back with the third and final part in a few days), by pasting what transpired at her tour around this period (2001-2002), the Dream within a Dream tour. This could not be more blatant in what it is really about, it even has Angelina Jolie's father (who I mentioned in that link) Jon Voight [how Fing random is that?! this guy is surely a pedophile :S]: "telling a bed time story to his young daughter about a magical ballerina who lived in a music box. Britney rose through a giant box in the middle of stage, dressed as a ballerina. She tore off her tutu and donned a bathrobe to perform "Lucky" and "Sometimes"."... That isn't even the worst of it though as: "The stage set for the tour was a unique key-shaped structure...The show began with a woman, dressed in a white nightgown, running across the stage with a lantern. A video of sleeping Britney appeared. Trapped in a bubble, she awoke [the bubble goes into Britney's eye]. She declared that she was "trapped in a dream within a dream" before being sucked into a sea of flames"
You can see the intro sequence above; the scarey gold fairy says, "Have you ever had a dream that felt so real, that you could no longer between the real world and the dream world?.... Which world are you in now?"....
And here's the Jon Voight bedtime story scene + ballerina music box (I'd shown this type of ballerina music box in my General's Daughter post and a bit on ballerinas here and elsewhere), it all feels very sad (listen to "her" lyrics; almost brings me to tears actually, poor girl; and the one who sits on Jon Voight's knee with [I think] butterflies on her pyjamas :'(). Back with final Part 3 in a few, comments with more enlighted analysis of the imagery are welcomed. Like last time, here's a couple of preview images from Part 3.
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