
Kate Beaton's latest strips feature Archduke Ferdinand Maximilian Joseph of Austria and Benito Juárez.
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The nationwide labor upsurge of 1934 reached its peak in San Francisco. On May 9, 1934, leaders of the International Longshoremen’s Association (ILA) called a strike of all West Coast dockworkers, demanding a wage scale of the 6-day, 30-hour week at a minimum rate of $1 per hour, a “closed shop” (union membership as a requirement of employment), and union-administered hiring halls.At the time of Göbekli Tepe's construction much of the human race lived in small nomadic bands that survived by foraging for plants and hunting wild animals. Construction of the site would have required more people coming together in one place than had likely occurred before. Amazingly, the temple's builders were able to cut, shape, and transport 16-ton stones hundreds of feet despite having no wheels or beasts of burden. The pilgrims who came to Göbekli Tepe lived in a world without writing, metal, or pottery; to those approaching the temple from below, its pillars must have loomed overhead like rigid giants, the animals on the stones shivering in the firelight—emissaries from a spiritual world that the human mind may have only begun to envision.Via.
Archaeologists are still excavating Göbekli Tepe and debating its meaning. What they do know is that the site is the most significant in a volley of unexpected findings that have overturned earlier ideas about our species' deep past. Just 20 years ago most researchers believed they knew the time, place, and rough sequence of the Neolithic Revolution—the critical transition that resulted in the birth of agriculture, taking Homo sapiens from scattered groups of hunter-gatherers to farming villages and from there to technologically sophisticated societies with great temples and towers and kings and priests who directed the labor of their subjects and recorded their feats in written form. But in recent years multiple new discoveries, Göbekli Tepe preeminent among them, have begun forcing archaeologists to reconsider.
In 2002 he published "Creative Destruction," which argues that globalization created much of the art and music we might consider "native." Reggae in Jamaica, for example, borrowed from commercial rhythm and blues broadcasts that drifted over the water from New Orleans and Miami. The fur trade and the metal knife helped create the totem poles of the Northwestern American Indians.2. You've seen the flying military drones, now check out the ocean-going versions.
And take the Hulk. The Hulk was this rampaging engine of destruction, sure, but still, deep down, he was basically a nice guy. That is, he was the reverse of how we actually were in seventh grade, me and Rick and Jerry: all too nerdishly nice on the surface, but underneath raging.Via.